The Real “Spiritual Importance” of Glastonbury: Beyond the Festival Stage

Glastonbury has become globally renowned for its music festival; a vibrant celebration of sound, spectacle, and social commentary. But beneath the thrum of amplifiers and the haze of festival fervour lies a deeper, often overlooked legacy: Glastonbury’s profound spiritual heritage.

In 2016, during my self-directed studies in religion, I journeyed to Glastonbury not for music, but for meaning. What I discovered was a place whose spiritual significance once eclipsed its current fame as a festival hotspot; a town that was, and arguably still is, a sacred centre of myth, pilgrimage, and mystery.

A Sacred Past: Glastonbury Abbey and Christian Origins

Glastonbury Abbey is traditionally believed to be the site of the first Christian church in England. Before the Dissolution of the Monasteries in the 16th century, it was a major Catholic pilgrimage destination; on par with today’s Lourdes or Fátima in its spiritual gravity. Pilgrims came seeking healing, connection, and divine presence. Today, the ruins still whisper of that reverence, though they are often drowned out by the festival’s roar.

Legends That Shaped a Nation

The town’s spiritual lore is rich with legend. According to tradition, Joseph of Arimathea brought the Holy Grail to Glastonbury, burying it beneath the Tor where the Chalice Well now flows; a spring some believe has healing properties. Another enduring tale claims that King Arthur was buried near the Abbey, a story so culturally potent it’s immortalised in the Robing Room of the House of Lords. The Robing Room is where the monarch prepares for the State Opening of Parliament, donning the Imperial State Crown and ceremonial robes before proceeding to the House of Lords. The room is adorned with grand frescoes depicting Arthurian legends; an homage to Glastonbury’s mythic past. At the heart of this ceremony stands the King’s Throne, a symbol of continuity and tradition. It’s here that the monarch sits before addressing both Houses, surrounded by centuries of ritual and symbolism that echo Glastonbury’s spiritual legacy.

During my visit, I explored Glastonbury’s spiritual landmarks, including the so-called Miracle Water Fountain. It still exists, tucked away and accessible to those who ask at the local tourism office or hotel reception. One of the most moving moments was witnessing a Muslim quietly praying inside the tower at St Michael’s Tor. In that simple act, the Tor became more than a scenic destination; it became a shared sacred space. A moment of reverence, universal connection, and spiritual peace in a place steeped in legend.

Sadly, recent events at the Glastonbury Festival have seen some performers use the stage not to uplift, but to incite. Rap-punk duo Bob Vylan led chants of “Death to the IDF” during their set, prompting widespread condemnation and a criminal investigation. The BBC and festival organisers have since apologised, acknowledging that such rhetoric crosses a line and has no place in a space meant for unity and celebration.

This is not what Glastonbury should represent. The image I took of a Muslim at prayer in St Michael’s Tor stands in stark contrast to the slogans of hate shouted from the stage. Supporting justice and peace should never mean glorifying violence or encouraging division.

As Glastonbury continues to draw global attention, perhaps it’s time to re-centre the conversation on its past. Let the music play; but let the myths speak too. Let the Abbey stand not just as a backdrop, but as a beacon. Let Glastonbury and its magical spring once again become an attraction of positive spirituality.

Image: Chris Vinante